Narni


Narni ligger 20 km fra Orte, i 240 meters højde ved Nera-floden med ca. 21.000 indbyggere.
Klik og læs om klosteret S. Casciano nær Narni



Historie
Man kender til byen med navnet Nequinum fra omkring 600 før vor tidsregning.
I 299 f.kr. bliver byen en romersk koloni og i 90 f.kr. et romersk municipium, med navnet Narnia. I 368 får byen et kristent bispesæde. Biskoppen er San Giovenale, der i dag er byens skytshelgen.
I 1000-tallet er byen en magtfuld frikommune, hvor håndværk og kunst blomstrer. Af kunstnere i perioden frem til renæssancen kan nævnes Rossellino, Ghirlandaio, Benozzo Gozzoli, Vecchietta, A. Romano og Spagna.
I 1527 bliver byen erobret og plyndret af Lanzichenecchi´erne og mange bygninger bliver destrueret. Byen blev senere genopbygget.

Seværdigheder
Katedralen bliver bygget mellem 1000 og 1100, og bliver indviet i 1145. Stilen er romansk med et gotisk apsis, og inde i kirken findes nogle meget værdifulde hellige kunstværker:
Gravstedet for helgenerne San Giovenale og San Cassio med et sarkofag fra 1100-tallet og mosaikker fra 1300-tallet.
Andre værker i katedralen er af Rossellino, Vecchietta, Torresani, Agresti og andre lokale kunstnere.

 

Kirken Sankta Maria Impensole er fra 1175.
I krypten findes kan man se resterne af en romersk villa.
 
 

 

Kirken San Domenico fra 1100-tallet hed tidligere Sankta Maria maggiore, og er i dag byens historisk arkiv og bibliotek.
Kirken genkendes på det høje udvendige tårn.
Indvendig kan Gattamelata- kapellet beundres, og under kirken er der smukke freskoer, samt en fængselscelle anvendt under inkvisitionen - hvor man stadig kan se fangernes graffitti på murene.

Palazzo Comunale, rådhuset, er fra 1273, hvor man slog tre middelaldertårne sammen. På facaden er der rester af tidligere indskrifter og en flot dør med relieffer og kolonner fra 1400-tallet.
I rådhussalen kan man beundre flere freskomalerier af blandt andre Ghirlandaio, Spagna og B.Gozzoli, samt af en eller anden grund også en egyptisk mummie!

Palazzo Scotti fra 1500-tallet har freskomalerier af Zuccari-familien.

Palazzo Cardoli er fra 1400-tallet


Narni er rig på tårne, der i middelalderen blev bygget som de rige familiers værn mod fjender:
La torre del Palazzo dei Priori (1200-tallet), la Torre dei Marzi (1300-tallet), Torre Civica (1300-tallet).



 

 

 

Byportene stammer fra 1300 til 1500-tallet, mens forsvarsværket Rocca Albornoziana er fra omkring 1370. Albornoz var en magtfuld kardinal.

              

Byens teater - Teatro Comunale - blev indviet den 3. maj 1856, og havde dengang plads til 500 tilskuere.

 

Narni

 


 
During the period when the Popes left Rome for Avignon most of the towns of their Italian possessions fell under the rule of local families as was the case in other parts of central and northern Italy. Cardinal Gil de Albornoz was charged with the task to reconquer at least the areas closest to Rome to pave the way for the return of the Pope.
He did not only achieve this, but he also laid down the basis for keeping his conquests by building fortresses in strategic positions. Narni, an important medieval town worth a visit, commands a narrow gorge of the Tiber key to Central Umbria and here Cardinal Albornoz built an imposing fortress which still retains the coats of arms of Urbanus V and Gregorius XI, the last two Popes who lived in Avignon. Compare the tower of this fortress with that of the Palace of the Popes in Avignon. The coats of arms, among the oldest one can find, show both the keys and the triregnum (the crown of the pope), although as separate entities.
 
 
Narni Narni
(relief at S. Maria Impensole)

After leaving the Orte Junction the 8:14 train departs from the main line to Florence and from the Tiber valley: it goes eastwards through a narrow gorge formed by the River Nera.

 

Nera Gorge
The Nera Gorge

In the XIXth century the railway line and a road were built on the Nera right bank after dams controlled its course; Via Flaminia, the historical road which linked Rome with Umbria and Marches followed a route through the woods on the hills south of Nera.

 
View of Narni
View of Narni

Where Via Flaminia eventually reached the end of the Nera gorge the Romans founded Narnia, on the site of a previous town they had conquered in 299 BC. The location of the Roman town is visible in the right part of the photo shown above while the left part of the image shows the medieval expansion of the town on a nearby hill.

 
Roman memories
Roman memories: (left) Augustus' bridge; (center) Roman gate; (right) Roman walls

Via Flaminia crossed the river on a very high and imposing bridge built as part of a major improvement of Via Flaminia ordered by Emperor Augustus. The Romans modified the original landscape in order to obtain a sort of long and narrow terrace at the top of the hill. Parts of the arches and walls of Narnia can still be seen at several points of today's Narni.

 
Towers
(left to right): bell towers of S. Domenico, the Cathedral, S. Bernardo; tower in Via Garibaldi

Narni suffered from the fall of the Roman Empire, but after the year 1000, due to its position on a main trading route, it profited from the recovery of the Italian economy. The town was situated at the perfect strategic position which made it easy to defend, but its inhabitants had to deal with internal strife and the main families lived inside house-towers: some of them were turned later into bell towers and they were spared by the XIVth century decrees of the papal government which placed limits on the height of private buildings.

 
Portali
(left to right) portals of S. Maria Impensole; S. Domenico; the Cathedral

The economic development of Narni led to the construction of several churches: their portals were decorated with a mixture of classic motifs, portraits of saints and human beings in pretty strange postures who can hardly be linked to known religious or mythological episodes (see a puzzling capital in S. Maria Impensole). The image used as background for this page shows a relief in S. Francesco.

 
Reliefs
Casa Sacripanti - medieval reliefs

The symbol of Narni is a griffin and similar mythical creatures are portrayed in reliefs walled on several buildings. A more elaborate relief portrays a fight between two knights in a tournament.

 
Fountain
Central fountain

Narni has two very peculiar medieval fountains; peculiar because of their shape and for the use of bronze at a time (the inscription on the fountain makes reference to the year 1303) during which metallurgy was still very primitive.

 
Palazzo dei priori
(left to right) details of Palazzo dei Priori; street near the cathedral

The wealth enjoyed by Narni in the early XIVth century led to building a town hall and a palace which had a large loggia where the merchants met in case of bad weather: the growth of the population led to building arches over the town narrow streets to create additional rooms.

 
Cathedral
Narni Cathedral: (above) VIth century funerary inscription; (below) Cosmati decoration

The cathedral of Narni is a complex building: its many works of art are a sort of summary of the history of the town.
It contains a very rare example of VIth century art: the tomb slab dedicated to Cassio, one of the first bishops of Narni, and to his wife Fausta. In the XIIIth century the cathedral was decorated with a Cosmati pavement which at a later stage was removed and used to decorate the walls of a chapel.

Move to page two.
 

 

Narni took advantage of the absence of the popes from Rome to increase its self-government, but failed to gain the de facto independence acquired by the Tuscan Comuni (town states), which benefited from the fact that their region was claimed both by the pope and the emperor.
Narni and Umbria were an uncontested possession of the pope and his authority was restored in the 1353-67 period by Cardinal Albornoz.

 
Rocca
La Rocca

Cardinal Gil de Albornoz built on a commanding position a fortress which was not meant to protect the town from external enemies, but to allow a small garrison to impose the will of the papal government. La Rocca as the fortress is called, was strengthened in the XVth century by several popes including Pope Pius II, whose coat of arms appears in the image used as a background for this page.

 
Cattedrale
(left) Cathedral: lateral view; (centre) Cathedral: main bell tower; (right) S. Margherita

Medieval Narni expanded beyond the boundaries of the ancient Roman town: its cathedral had two accesses (and two bell towers): one from the old town and one (shown above) from its medieval expansion. This new quarter has no monuments or churches: the only exception being S. Margherita, the church of a monastery built in the XVIIth century.

 
Main entrance
Cathedral: main entrance

The main entrance to the cathedral was embellished in 1497 by an elegant Renaissance portal decorated by a fine frieze.

 
Frescoes
Frescoes (left) outside S. Francesco and (right) in S. Maria Impensole

The churches and streets of Narni are decorated by many frescoes; they were not painted by famous artists, but nonetheless they show the characteristic peacefulness of the Umbrian school, which can best be admired in the works of il Perugino (external link).

 
Gates
(left and centre) Porta della Fiera; (right) Porta Nuova

The bus which links the railway station to Narni reaches the town by a modern road: the old road was much steeper and by walking up it, one learns an episode of the town's history. Porta della Fiera is a medieval gate on the ancient Via Flaminia; once you have crossed it you find no evidence of the town; after two or three turns of the road you reach Porta Nuova, an imposing Renaissance gate, behind which you eventually see houses and urban streets: this is because in 1527 the Landsknechts, the mercenary troops of Emperor Charles V who sacked Rome, did the same to Narni, on their way back to Germany. They set fire to an entire quarter of the town, which was never rebuilt: some thirty years later the design of the wall was modified and a new gate was built.

 
Palazzi
(left) Palazzo Scotti: loggia; (right) Palazzo Orsini: secret garden

During the Renaissance the medieval appearance of Narni did not change a lot, but the richest families improved their quality of life by building fine courtyards and secret gardens.

 
Orphanages
XVIIIth century orphanage

According to President de Brosses who lived in Rome in 1739, a quarter of its inhabitants lived off charitable institutions; this most likely was true also for Narni because the only new buildings completed in the XVIIIth century were orphanages and hospices.

 
View
View from La Rocca

 

 

 

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